Issue #2019.06

A better 2020, Digital Innovation of the Year & The Ghost Among Us

2019 had its times of success and happiness & times of uproar and challenges for the planet. Yet, it is not a time to fall into despair: it is a time to act, to be present, and to claim a better future. We join our voices to those in the streets everywhere around the world fighting for our better selves and better years to come.

We want to thank our friends, supporters, photographers, collaborators, and partners for making this year as revolutionary as it was.

Wishing you a very Merry Christmas and a better 2020 ahead.

- from all of us at AIF

The foundation will be closed for the holidays from 24 December 2019 to 01 January 2020.

Header Image #0069fa00454-488, Masquerade ball, 19 March 1949, contact prints mounted on cardboard, gelatin silver developing-out paper. FAI Collection, courtesy of the Arab Image Foundation.


TOP STORIES

Award
Digital Innovation of the Year
Apollo Magazine

A celebration of Lebanon's Independence Day in Mexico, 1948-1950, gelatin silver developing-out paper print. Graciela Madrigal de Bulhosen Collection, courtesy of the Arab Image Foundation
A celebration of Lebanon's Independence Day in Mexico, 1948-1950, gelatin silver developing-out paper print. Graciela Madrigal de Bulhosen Collection, courtesy of the Arab Image Foundation

London // ​ The Arab Image Foundation is proud to be the winner of Apollo Digital Innovation of the Year 2019 award. The Apollo Awards celebrate exceptional achievements in the art and museum world since 1992, when these awards were launched, promoting leadership and innovation.

By Raphael Cormack: "Since the launch of the AIF - perhaps because of it - interest in the photographic history of the Middle East exploded...This year, the grande dame of Arab photo archives launched a new-look website featuring more than 10,000 images from the collection, released under a Creatives Commons license." Read more.



Exhibition
Vetera Novis Augere
18.11__28.12.2019

Latif Al Ani, Vetera Novis Augere, 2019, Show view. Courtesy of Gallery Isabelle van den Eynde, Dubai
Latif Al Ani, Vetera Novis Augere, 2019, Show view. Courtesy of Gallery Isabelle van den Eynde, Dubai

Dubai // Vetera Novis Augere - ‘augment the old with the new’ - Latif Al Ani’s exhibition continues at Gallery Isabelle van den Eynde. Premiering in Vetera Novis Auguere is the photographer’s personal selection of 80 images from his wider oeuvre, displayed as a continuous carousel slide show. The succession of handpicked works forming this deeply individual edit reflects Al Ani’s will to represent “all aspects of life in Iraq.” The diversity of images gliding by – education, nature, industry, modernist architecture – projects a past to be seen less through the prism of nostalgia, than as a reactivation of an irrefutable reality, salvaged from oblivion.

Gallery Isabelle van den Eynde's Vetera Novis Augere, in collaboration with the Arab Image Foundation, Beirut, runs till 28 December 2019. map



Read this
The Ghost Among Us
Unseen Magazine

Image from the series Tchamba, 2017 © Nicola Lo Calzo / Dominique Fiat
Image from the series Tchamba, 2017 © Nicola Lo Calzo / Dominique Fiat

Amsterdam // The violent reality of our colonial past is all too often swept aside – a denial that does little to heal the lingering wounds it first inflicted. Highlighting work by a number of contemporary artists, writer and curator Karin Bareman demonstrates how photography might be used to deconstruct colonial narratives, confront traumatic legacies and offer a voice to the ghosts of history. Read more.

Karin Bareman's The Ghosts Among Us was first published in Unseen Magazine #7.



In case you missed this

Undated image by Jamal Youssef, Egypt, gelatin silver developing-out paper print. Amgad Neguib Collection, courtesy of the Arab Image Foundation
Undated image by Jamal Youssef, Egypt, gelatin silver developing-out paper print. Amgad Neguib Collection, courtesy of the Arab Image Foundation

BBC Culture / India Stoughton. Many of the negatives and prints have sustained damage over the years. Rather than being restored or digitally manipulated, they are presented in their current condition and treated as historical artefacts. One stunning portrait of a ballet dancer, taken by Armenian-Egyptian photographer Armand (born in Turkey in 1901), is marred by white whorls like the mark of a thumbprint. Read more.

About The Arab Image Foundation

The Arab Image Foundation is an independent association forging new pathways for photography and image practices. Uniquely positioned at the intersection of artistic creation, research, and archiving, we explore, question and confront the complex social and political realities of our times.

Our collection of over 500,000 photographic objects and documents from and related to the Middle East, North Africa and the Arab diaspora has been gradually assembled over the last 25 years by artists and researchers and through donations. With a critical and innovative approach, we collect, rethink, preserve, animate and understand these photographs through their multiple strata, and enrich the collection in the process.


Contact

Zoghbi Building, 4th Floor, 337 Gouraud Street, Gemmayzeh, Beirut, Lebanon

+961 1 569 373

[email protected]

www.arabimagefoundation.org